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Feminine Endings: Music, Gender, and Sexuality Susan Mcclary
Publisher: Univ Of Minnesota Press

Books in the subject of Gender and Sexuality in Popular Music from Routledge and the Taylor&Francis Group. Minneapolis: University of Minnesota Press. Fairtales in our culture are plagued with gender stereotypes. From the Ronettes of the '60s "When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical One of the biggest moments in a pregnancy? Susan McClary, author of Feminine Endings: Music, Gender, and Sexuality. The areas of gender studies that is solely the realm of the musicologist are gender and sexual representation in music. It falls under the umbrella of 'New Musicology' in particular, Susan McClary's Feminine Endings has been seen as 'the feminist answer to Joseph Kerman's Contemplating Music' (Higgins, P 1993: 175). The main political goal of feminism is equality with the previously (and . €�Kramer continues his project to steer the criticism of Western art music onto the paths of contemporary intellectual discourse. Blues Music History through the lens of Gender. Feminine endings: music, gender, and sexuality. Feminine Endings: Music, Gender, and Sexuality Feature. Looking and learning to drum: The paradox of vision in learning participation. Feminine endings: Music, gender, and sexuality. Coeditor of Queering the Pitch: The New Gay and Lesbian Musicology Gender and Sexuality in Early Music - Google Books New! Conventional wisdom: the content of musical form. Feminine Endings: Music, Gender, and Sexuality Review. Minneapolis: University of Minnesota Press, 1991. Feminine Endings: Music, Gender,.